News and Media

GFF is pleased to announce the following appointment

Posted on Friday, January 6th, 2012 at 11:27 am

Joy Loewen has accepted the position of Feature Film and Documentary Programmer. In addition, she accepted the position of Guest Services Manager. Joy brings years of experience to the Film Festival. Her previous experience includes eight years as Manager of Acquisitions for WTN and six years as Program Manager for the National Screen Institute.

We are also happy to announce that Matthew Etches has accepted the position of Short Film and Genre Film Programmer. Matthew has previously worked for the festival in several programming capacities. This year with the addition of a new indoor screening venue, Matthew will be programming genre films on a nightly basis.

We are thrilled to be working with these two dedicated professionals and welcome them on board!

GFF Office Has Moved

Posted on Saturday, December 31st, 2011 at 12:09 pm

As of December 1st, our offices are located in Unit 3 – 40 Centre Street. Our mailing address and phone number remain the same.

GFF Film Programmer 2012

Posted on Wednesday, November 2nd, 2011 at 10:18 pm

The 12th edition of the Gimli Film Festival will be celebrated July 25th to July 29th, 2012.  The festival showcases entertaining documentaries, dramas and shorts from Manitoba, Canada and the world, with a particular emphasis on circumpolar countries.  Our unique 11-meter outdoor screen on the shores of Lake Winnipeg is a main attraction, screening a feature film each night while four indoor venues screen more then 130 films during the festival’s five-day run.

The Gimli Film Festival is widely recognized as Manitoba’s premier film festival and is committed to strengthening its role as a facilitator of industry interaction.

The Gimli Film Festival is seeking an experienced film programmer to curate our 2012 Short Film, Feature Film and Documentary program.

 

Deadline for application is December 1st, 2011.

 

Purpose of the Position:

The Film Programmer is responsible for curating and running the Short Film, Feature Film and Documentary program for the Gimli Film Festival.

 

Duties of the Position:

  • Programming and scheduling the Short Film, Feature Film and Documentary program including films solicited through the submission process and also films that are solicited by the Film Programmer, Festival Director and GFF Programming Committee
  • Creation of the grid and maintenance of the programming grid
  • Liaising with the venue managers and festival technical manager with regard to the schedule
  • Negotiating with filmmakers, distributors and agents for the screening rights for films, negotiating hire fees where applicable and issuing contracts
  •  Ensuring the expenditure for the program is within budget
  • Advising on the invitations to filmmakers and international guests for the festival
  • Programming all Q&A sessions at the festival screenings and appointing minders to special guests in cooperation with Guest Services
  • Producing, commissioning the design of, and distributing the festival’s call for submissions online. Responsible for maintaining the online database of submitted films
  • Ensuring secure and punctual transportation of prints for the festival ensuring timely delivery to and pick from Festival venues. Responsible for liasing with the finance officer regarding insurance for prints
  • Advising unsuccessful filmmakers and returning their viewing tapes
  • Formally monitoring and tracking the success and sales and distribution of films programmed at the festival
  • Provision of marketing and press interviews on the film, filmmakers and session for the festival. For example the soliciting and collation of press materials, ad copy, photo prints, trailer prints, video clips
  • Writing copy for selected films for the festival program and liaising with the editor
  • Archiving the film programme after the festival including the archiving of all material
  • Maintain print tracking database, which tracks shipping and receiving of all films and videos, including origin, carrier, tracking number, theatre assignment and post festival destination.
  • Continual reporting of print status and usage during film festival
  • Cue videotapes and check prints
  • Work with shipping companies to import and export films
  • Assist with house and projection operations during festival

 

Qualifications

  • Excellent understanding of the global film and television landscape
  • At least three years experience programming or curating film festivals
  • Must demonstrate the ability to take initiative, show good judgment, and manage projects from beginning to end
  • Excellent writing skills, editing and proofreading skills
  • Exceptional ability to manage details multitask in a fast –paced environment and meets deadlines
  • Work effectively both independently and as part of a team

 

Contract Terms

  • Start date: January 9th, 2012
  • End date: August 15th, 2012
  • This is an independent contractor position
  • Film Programmer must be in Gimli from July 24th to July 29th
  • Film Programmer reports to the Festival Director

 

Please submit your resume, covering letter by December 1st, 2011 to:
 
Gimli Film Festival
Attention:  Festival Director
Box 1225
Gimli, Manitoba
R0C 1B0
info@gimlifilm.com
 
We thank all applicants for their interest; however, only those selected for an interview will be contacted.

Interlake Award of Distinction

Posted on Friday, September 16th, 2011 at 4:27 pm

The Gimli Film Festival is pleased to announce their acceptance of the 2011 Interlake Tourism Association ‘Interlake Award of Distinction’ last night during a ceremony held on the Fisher River Reserve.

This award recognizes leadership that helps the Interlake and Manitoba realize distinction as a high quality tourism destination.

The Interlake Tourism Association awards for 2011 are selected to match the provincial Travel Manitoba awards categories. The winners in the member’s categories in the Interlake region will be entered into the matching categories for the Travel Manitoba Tourism Awards in 2012.

 

World’s most unique movie watching

Posted on Wednesday, September 14th, 2011 at 2:54 pm

GFF highlighted as “World’s most unique movie watching experience”

TORONTO SUN (click to view article on torontosun.com)

BY DIANE SLAWYCH

You’ve heard of drive-in movies. How about sail-in movies?

This summer, the Toronto Port Authority sponsored a five-day floating film festival to fete the authority’s 100th anniversary. The screen was set up on a barge in the Inner Harbour just east of the Redpath Sugar building and viewers watched films from their boats or from land at Corus Quay. That event — and the start of the Toronto International Film Festival tomorrow (Sept. 8-18) — got me thinking about unique film experiences I’ve encountered or heard about on my travels.

Here are a few worth checking out:

– Oscar films with bubbles in London: Movie buffs may want to check into The Arch hotel on their next visit to England. Guests at this chic 82-room hotel on a quiet street near Marble Arch, have complimentary access to every Oscar-winning film (Best Picture) since the 1930s. That’s more than 60 films from which to choose including On the Waterfront, Lawrence of Arabia, Gandhi, Slumdog Millionaire and The Hurt Locker. Take DVDs to your room to watch on the flat screen TV from your comfy bed or, if staying in one of the 17 rooms with a bathtub, unwind with a bubble bath and watch the movie from a screen above the tub! (Grab a complimentary beverage from the mini bar first though). Rooms also feature complimentary Wi-Fi, flat-screen HD TVs, Nespresso coffee machines, and Internet radio with over 10,000 channels. The Arch, a member of the Small Luxury Hotels of the World, is located near Hyde Park. See slh.com/thearchlondon.

– Star in your own film: If you’ve ever pondered making a film, a Florida hotel wants to turn your dream into reality. The Omni Orlando Resort at ChampionsGate has a Picture This package that allows guests to capture special holiday moments. If travelling as a family, each member could play a different role: Either as director, cast, crew or editor. You’ll get a new, handheld video camera along with a luxury suite equipped with editing equipment, tickets to Disney Hollywood Studios, VIP seating at the resort’s dive-in screenings, a full-day cabana rental, complimentary in-room popcorn and movie, a Take-Home DVD and more.

The luxury 6-hectare resort makes an ideal movie set where your camera can capture kids sliding down the 38-metre corkscrew waterslide or floating on the 258-metre Lazy River. Available through Sept. 30 from $485 US/night. Contact 1-800-The-Omni or omniorlandoresort.com.

– Beyond Popcorn in Arizona: Seeing movies is an upscale experience at Scottsdale’s new iPic theatres. Even before you enter the screening room, several visual clues hint this isn’t a typical movie house. There are chandeliers in the lobby, a swanky lounge, a restaurant with a wine tower, and contemporary mixed-media paintings depicting various movie icons in the hallways.

Moviegoers can opt for Premium seating (large leather chairs with small tables for in-cinema dining) or Premium Plus (reclining chairs, pillows and blankets, popcorn and food and beverage service for the first 20 minutes). All seats have unobstructed views of the screen. Complimentary valet parking is also available.

Watch the movie while enjoying a beer or cocktail from the Salt Lounge, or glass of wine from iPic’s wine towers. Hungry? The Tanzy Express stand has a selection of freshly prepared items such as beef filet sliders, and lemon grilled chicken skewers. (Sure beats hot dogs!)

As the theatre’s name, iPic, suggests, moviegoers can select the type of experience they want — just come for the film or combine it with a drink or meal before, during or after the show.

As you might expect from an upscale cinema, it’s equipped with the latest technology: Online reserved seating, all digital projection, state-of-the-art sound, automated ticket pick up at site or print at home, studio-preferred 3D technology and the latest technology for both the hearing and visually impaired.

Admission (to the movie) starts at $15 US. You can also sign up for a free membership and get discounts and invites to special events. Check ipictheaters.com.

– Movies on the Beach: From Beach Blanket Bingo to beach blanket movies, the Gimli International Film Festival has free nightly screenings on the beach every summer. What makes this event unique is the films are projected over Lake Winnipeg onto a 10-by-10-metre screen erected on a sandbar surrounded by water.

The family friendly screenings attract hundreds of moviegoers every night, who bring their own blankets, cushions, and folding chairs. Also worth noting at “Manitoba’s largest film festival” is a chance to see the aurora borealis — the northern lights — which sometimes appear in the night sky over the lake, competing for spectators’ attention with the entertainment onscreen.

Gimli has the largest Icelandic community outside Iceland, which is reflected in the offerings at the festival. The films emphasize new and recent work by Canadian and Icelandic filmmakers plus works from other Nordic circumpolar nations. About 80 films (full-length features, documentaries, short documentaries and narrative films) are shown during the festival, which also includes indoor screenings (ticketed) at three Gimli theatres. The annual event, which takes place in July, attracts more than 5,000 visitors. The complete festival lineup for next year will be announced in late June. Check gimlifilm.com.

2011 Movies Play to Record Crowds!

Posted on Thursday, August 11th, 2011 at 9:50 am

The Gimli Film Festival has wrapped for another year.  Total attendance for the Festival was 8,400 people, including 5,200 people on the beach over three nights, with another 3,200 people attending the Festival’s indoor screenings and On Screen Manitoba’s industry sessions.

The Rogers Cinema Under The Stars continues to be extremely popular part of the Festival. Unfortunately, only three of the five beach screenings took place.  Strong winds did not allow the screen to be dropped on either Friday or Saturday night.  “After worrying about lake levels for the past few months, it was the wind that proved to be a problem,” says Festival Director, Cheryl Ashton.  These cancellations marked the first time in the Gimli Film Festival’s eleven year history that any beach screenings had to be cancelled.

The winner of the $10,000 Rogers Pitch was Quinn Greene.  Filmmaker Shelagh Carter won the Global Winnipeg’s $1,000 prize for her film ONE NIGHT and Australian filmmaker, Ariel Kleiman won the Global Winnipeg’s Best Short Film for Artistic Achievement award with his film, DEEPER THAN YESTERDAY

Planning for the 2012 Gimli Film Festival is already underway.  The Festival plans to keep expanding, with two additional venues, one indoor and one outdoor, to be added.

Gimli Film Festival would like to thank the Board of Directors, sponsors, volunteers and staff for the resounding success of the 2011 Festival.

The Gimli Film Festival will return next summer from July 25 to 29.

 

‘Working Title’ – A new exhibit

Posted on Tuesday, July 19th, 2011 at 2:35 pm

PLATFORM centre for photographic + digital arts, and the Gimli Film Festival have partnered to bring you a new exhibit taking place at the New Iceland Heritage Museum.

Saturday 16 – Sunday 24 of July 2011
at the New Iceland Heritage Museum in The Waterfront Centre

94 – 1st Avenue / Gimli, MB. / Gallery hours are 10AM – 4PM Daily.

Reception: Friday 22 July, 5PM – 7PM

Karen Asher - Photograph

PLATFORM centre for photographic + digital arts is very pleased to announce the next iteration in our off-site and sporadic series of projects and exhibits structured loosely under the designation, f_l_o_a_t_i_n_g, in honour of their antecedent, The Floating Gallery (1981 – 2003). WORKING TITLE is curated by J.J. Kegan McFadden, organized by platform and co-presented by The New Icelandic Heritage Museum in conjunction with The Gimli Film Festival 2011.

WORKING TITLE will include photographs that exhibit cinematic qualities, or offer visuals closely linked to film by three photo-based artists from Winnipeg. Stemming from diverse approaches to their subjects and subject matter, Karen Asher, Sarah Crawley, and Lisa Stinner-Kun, are among a group of artists whose photographs share a similar aesthetic based on the understanding that their work, individually and collectively, is heavily influenced by cinematic language. As a group, the images presented offer a cast of characters (Asher), a setting or location (Stinner-Kun), as well as the impression of an event or plot (Crawley). Bringing in award-winning film maker, Danishka Esterhazy, to offer excerpts from her film scripts to dialogue with the still photographs in a manner informed by narration, but not overly determined, linear, or even in response to the actual photographs, is meant to reinforce the idea of film in these works as well as to further ground the project in the surrounding context of the Gimli Film Festival. The title, WORKING TITLE, references the creative processes involved in making movies, as well as much artistic output (such as visual and literary arts), but also points to an insider’s perspective often driving festival-type initiatives.

WORKING TITLE will be on view from Saturday 16 – Sunday 24 of July @ New Icelandic Heritage Museum in The Waterfront Centre: 94 – 1st Avenue (Gimli, Manitoba). Gallery hours are 10 AM – 4 PM, daily.

Please join us Friday, 22 July from 5 – 7 PM for a reception / meet + greet with the artists and curator.


ABOUT THE ARTISTS:

Karen Asher is a lens-based artist living and working in Winnipeg. She received her BFA Thesis in Photography from the University of Manitoba in 2009. Asher is the recipient of numerous grants and awards and is featured in the Magenta Foundation Book, Flash Forward 2010 – Emerging Photographers From Canada, United Kingdom and the United States. She had her first solo exhibition last year at Platform Centre for Photographic + Digital Arts and was written up in several publications including The National Post, Canadian Art, BlackFlash and Border Crossings Magazine. Asher recently exhibited work at Toronto’s Contact Photography Festival and is currently preparing for the 2011 Pingyao International Photography Festival in Beijing and her upcoming solo show at Truck Contemporary Art in Calgary. www.karenasher.ca

Sarah Crawley is a visual artist who has exhibited across Canada in solo and group exhibitions as well as internationally. By using multiple processes, she creates images that reveal the photographic technologies she employs in her work. Sarah’s art practice explores aspects of memory, identity, and communication. She is interested in how memory has an impact on identity and the non-verbal ways that identity is communicated. As an active member of the visual art community in Winnipeg Sarah enjoys sharing her passion for photography. She has worked as an arts administrator and teacher, has volunteered on several boards, and is currently involved in a community art project through Winnipeg Arts Council’s With Art program.

Since graduating from the School of the Art Institute of Chicago with a Master of Fine Arts Degree in Photography, Lisa Stinner-Kun‘s work has also been featured in several exhibitions, locally, nationally and internationally among them solo exhibition at Winnipeg’s PLATFORM Centre (2007), and Gallery 803 (2008). She has received numerous grants and scholarships, and most recently was awarded a Visual Arts grant from the Canada Council for the Arts. Her work has been written about in Border Crossings Magazine, the exhibition monograph vague terrain published by platform, the Winnipeg Free Press, and Warehouse, a journal of the Faculty of Architecture, University of Manitoba. Stinner’s photographs have also been highlighted in several juried publications including Carte Blanche (2006) and Flash Forward (2006, 2007). Stinner obtained her Bachelor of Fine Arts Degree from the University of Manitoba where she has been teaching photography as a sessional instructor. www.lisastinnerkun.com

Winnipeg-based filmmaker Danishka Esterhazy is a graduate of the Director’s Lab program at the Canadian Film Centre. She has written and directed several short films including the National Screen Institute Drama Prize winner The Snow Queen. In 2008, she was awarded the prestigious Kodak New Vision award and she has recently been shortlisted for the John Hirsch Award for most Promising Manitoba Writer. Black Field, her first feature film, premiered at the Vancouver International Film Festival and will play in theatres across Canada this June. www.DanishkaEsterhazy.com

 

Industry Program Now Available

Posted on Monday, July 11th, 2011 at 12:01 pm

The 2011 Gimli Film Festival Industry Development Program has been released and is currently available online.

The program lists all of the industry sessions that will be taking place during the Gimli Film Festival and has biographies on all of the special guests and moderators.

Industry session include:

  • Indie Game: The Movie – A Canadian Case Study
  • Harnessing New Opportunities: Social Media and New Approaches to audience engagement
  • Alternative Filmmaking: Distribution Methods, Financing and the Growing World of Micro-Budgets
  • Documentary Today: Telling Real Stories in a Reality-TV Obsessed World
  • Broadcaster/Distributor Briefings
  • Interactive Storytelling with the NFB

Download the full GFF Industry Development Program for full listings of sessions here.

(Source: On Screen Manitoba)


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